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Pollack described the scoring as "certainly motivated", citing it for instance of "[Lennon & McCartney's] flair for building stylistic hybrids";[23] particularly, he praises the "ironic rigidity drawn among the schmaltzy written content of what is performed from the quartet here plus the restrained, spare nature with the medium by which it can be played".[23]
Jack and Ellie return to her home And at last make adore. Each morning, Jack equates his emotions for Ellie with how Harry Potter must have felt when he defeated Lord Voldemort, but Ellie has no clue who he is discussing, Significantly to Jack's chagrin. They decide to begin a family, and Jack offers up stardom to become a tunes teacher.